Survage’s contribution to the 1914 Salon des Indépendants was applauded by the famous poet and critic Guillaume Apollinaire, who subsequently organised a one-man exhibition for him in 1917 at the Galerie Bougard. It was during these years that Survage embarked on one of his most famous and influential series, the Cubistic city scenes “Paysages Cubistes”. In 1919 Survage became highly active with the legendary Séction d’ Or group to which he had been a founding member and consisted of all the modern masters, Archipenko, Braque, Boccioni, Gris, Leger, Picasso, Van Doesburg etc. Together they held revolutionary exhibitions in Paris, Rotterdam, Amsterdam, Brussels, Rome. At this time Survage also began to exhibit at the famous Galerie L’Effort Moderne of Léonce Rosenberg who had taken over from Kahnweiler as the leading Cubist dealer. Here during the 1920’s Survage exhibited in several major exhibitions such as “L’Effort Moderne”; “Les Maitres du Cubisme”; “Synthèse et Construction”. Furthermore Survage became involved with the activities of De Stijl and created a series of works for the Bauhaus.

Several international exhibitions over the next few years established Survage’s status as a modern master, most notably Knoedler Gallery, New York, 1929; Painting in Paris, MOMA New York, 1930; Avant-Garde Artists, Tokyo, 1933. His work was becoming increasingly Surreal, drawing inspiration from ancient philosophies, his visionary goal was to interpret in understandable signs and images the profound realities of life, often influenced by the “Arcana Caelestia” writings of the 18th century Swedish scientist and mystic Emanuel Swedenborg.

Survage’s reputation would continue to be reinforced through numerous exhibitions over the next few decades of the artist’s prestigious career including Abstract Art, the First Masters, Paris, Rome, Milan, 1950. In 1937 he received the coveted gold medal for his outstanding work at the Paris International Exhibition. His immense contribution to the development of modern art has been recognised through several awards notably the Prix National Français de la Solomon Guggenheim Fondation, 1960; and the Légion d’Honneur, 1963; also many retrospectives including a major show in 1966 that started in Paris and went on tour to international museums.

The artist is represented in many public collections including the Musée National d’Art Moderne, Centre Georges Pompidou Paris; Tretyakov Gallery, Moscow; Musée du Petit Palais, Geneva; National Gallery, Prague; Athens Museum; Wallraf Richartz Museum, Cologne; Chicago Arts Club; Bezalel Museum Jerusalem; Minneapolis Institute of Arts; San Francisco Museum of Modern Art; Museum of Modern Art, New York.