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Bernard BUFFET (1928-1999)
Bernard Buffet is recognised as a master in his art, and his paintings are collected in the most famous museums around the world. The Surugadaira Museum (Japan) is specially dedicated to his works and displays around 1,000 of his works. His paintings are strong and breathtakingly unforgettable. Bernard Buffet’s style can be recognised among others by a network of “dry” straight lines grey faces, wrinkled foreheads, scarce straight hair, tensed hands. His characters seemed crucified.
MUSEUM : Surugadaira (mus. Bernard Buffet), Clermont-Ferrand, Cluny, Marseille (mus. Cantini), Paris (mus. d’Art Moderne), Rome (mus. du Vatican), Toronto, Troyes, Villeneuve d’Asq, Genève, Lille.
Réf. 6362
Oil on panel
Signed ‘Bernard Buffet 60’ on the left
DIMENSIONS :
– 33 x 41 cm (56 x 65 cm encadré)
– 12 x 16 1/8 in. (22 x 25 5/8 in. framed)
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Certificate by Maurice Garnier’s Gallery
PROVENANCE : Galerie maurice Garnier
This work belongs to the centuries-old tradition of the vanitas, a pictorial genre intended to evoke the brevity of life and the inevitability of death. Bernard Buffet revisits here the traditional symbols of the theme — the skull, dice, lamp and flowers — to create a silent composition in which everyday objects become signs of contemplation on the passing of time. Painted in 1980, this canvas fully embodies Buffet’s distinctive style: a vigorous drawing defined by bold black outlines, simplified forms, and a restrained palette dominated by contrasts between black, yellow and red. The graphic tension of the composition reinforces the dramatic and theatrical character of this still life. Through this Vanitas, Bernard Buffet renews a major subject in the history of art, bringing to it his own personal language, characterised by austerity, formal rigour and profound existential reflection.